46/11
The director of the previous two films, Paul King, decided not to direct this installment
Tale
Paddington returns to Peru to visit his beloved Aunt Lucy, who now lives at the Home for Retired Bears. With the Brown family in tow, a thrilling adventure ensues when a mystery takes them on an unexpected journey.
However, he pitched the idea for this third film and was involved as an executive producer
He appears in Graham Norton and guests: Billy Crystal/Emily Mortimer/Hugh Bonneville/Pharrell Williams/Michael Kiwanuka (2024). Paddington in Peru is comfortably the weakest of the trilogy, with the absence of Paul King and Simon Farnaby certainly felt, but this is still a delightful third installment that loses none of its heart and brings everything arranged in the first act to a tidy conclusion, thanks to another satisfying third act.
Ben Whishaw remains endlessly precious with another perfect vocal performance, so Paddington continues to be a much-needed cinematic balm
It’s a consistently funny adventure that never forgets the immigrant story at its heart as Paddington struggles to balance his past and future. .
Dougal Wilson’s direction brings just enough fantasy by carrying over ideas from its predecessors
Hugh Bonneville is genuinely funny as he tries to be braver, and Emily Mortimer is a worthy replacement, even if Sally Hawkins is a miss. Antonio Banderas can do everything Dial of Destiny stopped him from doing, having a ball while doing it, and Olivia Colman as a suspicious singing nun is another big highlight.
There’s plenty of slapstick here, as usual, and it always escalates in unexpected ways
and some inventive new ones, as well as a few well-placed references to other films. The CGI is pushed like never before, which makes it all the more impressive that the effects that bring Paddington to life rarely falter despite the sheer amount of CG bears this time around.
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